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10 Nov 2023
Orkney’s Italian Chapel: the True Story of an Icon

On Saturday, 14 Oct 1939, German U-Boat 47 sneaked into Scapa Flow through the eastern entrance at Kirk Sound, between mainland Orkney and the uninhabited island of Lamb Holm and torpedoed HMS Royal Oak.

Of 1,234 men and boys on board 833 were killed that night or died later of their wounds. Included in that figure were 126 boy sailors - the largest loss of youths in the navy's history. This act had little impact on the Allied Fleet‟s superiority, but an enormous impact on wartime morale. Scapa Flow was seen as an impregnable safe haven for the British fleet. The wreck of HMS Royal Oak lies almost upside down in 100 feet of water. It is a designated war grave. In an annual ceremony to mark the ship‟s loss, Royal Navy divers place a White Ensign at her stern. 

To prevent similar attacks 5 ton concrete barriers were to be built and dropped into open channels to block access. A severe shortage of manpower at home meant the labour to carry off this complex challenge had to be found elsewhere. Orkney‟s Italian Chapel is the outcome of the decision to use 1200 Italian Prisoners of War, hand-picked from those who had been captured during Britain‟s North African Campaign, chosen for their abilities and to eliminate those with strong fascist beliefs. After an arduous journey, the Italians eventually arrived in Camp 60, a collection of stark Nissen Huts tentatively built on the inhospitable island of Lamb Holm. Amongst them were sculptor and artist Domenico Chiocchetti; stonemason Domenico Buttapasta; Giuseppe Palumbi, a blacksmith, skilled in the art of fero battuto, electricians Assunto Micheloni and Michele De Vito, signors Sforza, a carpenter and player of the harmonium, Barcaglioni and Battiato, bricklayers, Gerbino Rocco, a doctor and Father Giacobazzi, a priest. Chiocchetti, Palumbi and Giacobazzi were the inspiration and catalyst, encouraging the evolution of the Chapel into something emotionally and spiritually uplifting. There were others, too numerous to mention, who also foraged - and were sometimes given - paint, tiles, concrete and scrap metal. They used learned skills, creativity, imagination, passion and hard labour to transform scraps into works of art and two flimsy Nissen Huts into a place of worship and learning. Major Buckland, Camp 60‟s Commandant was protector and facilitator. Unlike many similar buildings created by PoWs, Orkney‟s Italian Chapel was preserved and has been maintained, enabling it to become an iconic symbol of hope, peace and humankind‟s ability to transcend misunderstandings, cultural differences and adversity.

“Is it possible that a prison becomes so important? […] it’s possible when only there have you been able to express your potential.”  Renato, son of Giuseppe Palumbi 

Source: Orkney’s Italian Chapel: the True Story of an Icon by Philip Paris, Black & White Publishing (ISBN 978184502529-8)

Scapa Flow

 

 

 

 

 

 

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